Library System Essay Example for Free

Library System Essay ACKNOWLEDGEMENT This dissertation would not have been possible without the guidance and the help of several individuals who in one way or another contributed and extended their valuable assistance in the preparation and completion of this study. First and foremost, my utmost gratitude to Mr. Raquel V.desello the Brgy.Chairman of Street whose sincerity and encouragement I will never forget. Mr. Dominic Sales has been my inspiration as I hurdle all the obstacles in the completion this research work. My sincere thanks also goes Mrs. De Leon for offering me the summer internship opportunities in their groups and leading me working on diverse exciting projects. I thank my fellow comp.labmates in Trent Information First and other Group: Mr. Renz Paolo Cruz, Rochelle Dones for allow me to barrow her flash drive, and, for the stimulating discussions, for the rush hour we were working together before few minutes before defense, and for all the fun we have had in the last two years. Also I thank my friends in face book that gave me at least their effort to gave few sentence in my documentation Last but not the least, I would like to thank my family: my parents Mrs. Chanda Desello and Mr. Quemadge Desello, for giving birth to me at the first place and supporting me spiritually throughout my life. Same as my partner in case study Lienard Magno ABSTRACT This report describes our groups implementation of a library Management system. We used the Entity-Relationship model to design a database that will store and organize the librarys data. We have Created the database using vb6.0 and populated it with some sample Data. The system can keep track of library cards, customers, Librarians, library locations, books, videos, and the relationships Between them. Using vb6.0 and adodb, we have Created an Internet-based graphical user interface that allows Customers and librarians to access the system remotely A simple library management system that provides following facilities login, register, add category, add / remove book, search / issue book, return book. Language used is C# and vb is been used in code. One Admin user is already there once db is installed with user name admin and password admin. Admin user has extra functionalities like add category, add/remove books. These functionalities cannot be done by simple user that registers. Password encryption decryption has been used in project. It’s very simple project where in all the event of all forms has been handled in that acts as business and data access layer. All vB interactions are in this file only. CHAPTER I INTRODUCTION Now a day, in a highly technological society, human productivity is made more efficient through the development of electronic gadgets. Now, with the advent of such modernization in education, one way to globalize the process of research is to realize that technology is advancing at an incredibility fast place. Computers are not confined to being used for entertainment but its role in education is also vast. In School, reading materials are stored in libraries. Library is a place in which books and related materials are kept for use but not for sale. It is also organized for use and maintained by a public body, an institution or a private individual. In addition, it is a place in which we get information in any format and from many sources. The librarian has to keep the room neat so that it is conducive for learning. The librarian is also the person who is liable for monitoring all the books that are borrowed and returned by the borrowers. The proponents will propose the Library Books borrowing and Returning System for Taytay Elementary School located at Taytay, Rizal, he Head Librarian, Ms. De Leon stated that they are currently using the Dewey Decimal Library System. They are still utilizing a manual system. The library users and the librarian still use card catalogues in searching for reading materials and use index card for the records of borrowed and returned books. The proponent’s study was what is which encounter to the Library by the user, Librarian and how the Owner or the Administrator of the said school will provide a good service to their clients to have a good feedback. The study will focus on transaction which done inside the Library like borrowing, returning of books by students, faculties and staffs. In this area, the usage of computerized library system is needed because it is easier and obviously it saves paper compare to the manual library based. Other countries such as South America and Middle East. STATEMENT OF THE PROBLEMS library system in doing transactions with their clienteles. Specifically this study pourpost to answer the following questions: 1. How can the system helps the librarian? 2. What are the inputs needed in the system in order for the students/staff/visitors to be able to login/logout when entering and borrowing books? 3. What are the information and data needed to put up a computerized library system of (tes) Taytay Elementary School. SCOPE AND LIMITATIONS SCOPE The system is create for the library except for easy way for librarian to make her work easy this is also for their customer to barrow books easy and to return also for data for clearly using it.. Delimitation The other way,this study is limits for the proposed enhancement computerized library system of Taytay Elementary School. System proposed to only one authorized person.

Pulp Fiction By Quentin Tarantino | Analysis

Pulp Fiction By Quentin Tarantino | Analysis If you take no pleasure in popular culture, with all its manic excesses, then you are likely to be bewildered and even offended, by Quentin Tarantinos extraordinary film, Pulp Fiction. Tarantino unapologetically enjoys popular culture at the same time that he satirizes it. Unfortunately, he also seems to specialize in violence. Still, taken on its own terms, Pulp Fiction is a rare accomplishment; it opens a new aesthetic horizon in film. Like Van Goghs sunflowers, the ordinary suddenly takes on a striking vibrancy; from the dazzling title colors on, it is easy to recognize the artist, but almost impossible to imagine how one could imitate him. Tarantino, a one-time video store clerk, now the hottest director in Hollywood, has memory banks packed with movies and he draws on some of the most ordinary to create something brilliantly original. This is no experimental film of intellectual pretensions and high-brow obscurantism. Pulp Fiction has built a cult following, even as its mother-f reaking language and graphic violence offends others. Violence in film is a serious matter, and for some people an inexcusable offense. They can see no justification for the scene in which John Travoltas character accidentally blows a young mans brains out. Even worse for those concerned about film violence, most of the audience laughed despite the spatter of blood and brain tissue and with spontaneous amusement, not the nervous hysteria often heard at horror films. The violence of Pulp Fiction is essential to its aesthetic; though he knew that many would complain, Tarantino meant the audience to laugh. Deliberately violating the conventions of action-violence films, Tarantino re-imagines stylized moments of violence and exaggerates them until they are almost surrealistic. Then he creates dialogue that leads up to the violence and then away from it. When most directors would be building tension and suspense, Tarantino has his killers chatting. When most directors would cut away from the violence, Tarantino stays with the aftermath. And he has achieved something I would have thought impossible; he has made violence humorous by doing it tongue-in-cheek and the tongue has a stud in it. Tarantinos film garnered top honors at the Cannes Film Festival but will probably pay for its punkness at the Oscars. Its box office success, however, should comfort the many aspiring Hollywood directors who dream of doing something different. But they will not find it easy to follow in Tarantinos tracks. His film is put together with touch, spin, and nuance, and then goes off in your face like a letter bomb. What Tarantino has crafted in this film can be best appreciated in the performance he has extracted from John Travolta. In 1977, Travolta gave his unforgettable portrayal of the cock-of-the-walk dancer in Saturday Night Fever. Far from a natural dancer, he nonetheless gave a heart-winning performance. Ever since then, he has been fighting the battle of the bulge and trying with less and less success to prove that he can act. One might have concluded that he was too old, too fat, and too far over the hill for Pulp Fiction. But it turns out that he is brilliantly cast in the film; everything wrong about him is right for this part. In his early-forties he still has a teenagers winning vulnerability. His broad mouth and high cheek bones are now bejowled but there is still a promise of sensuality in that ruined face. His appealing and familiar presence brings just the feel of movie nostalgia Tarantino wanted. Travolta plays a laid back, get-along kind of guy who is living a depraved and drug-addicted life as a paid killer, but has an astonishingly innocent soul, as do most of Tarantinos low-life characters. This innocence in depravity is Pulp Fictions central theme. It keeps the film from being an exercise in sado-masochistic perversity; it is the source of its humor and its creative energy. The film title Pulp Fiction harks back to the 30s and 40s when newsstands featured an array of monthly short story magazines. Among the most popular were those about hard-nosed private investigators. Written by such authors as Dashiell Hammet, Raymond Chandler, and James M. Cain, these stories were the forerunners of dark, city crime movies that became film noir. Pulp fiction stories typically began in the front of the magazine, competing for the readers attention, and were then continued in the back. Tarantino, though not old enough to remember this genre of pulp fiction, has put his film together as if he had that structure in mind. We begin with one short story: a hopped-up British couple (Amanda Plummer and Tim Roth) deciding to rob the coffee shop where they are having breakfast. Before they do, we turn the page a dark screen to the next story of Travolta and Jackson going off to retrieve a mysterious briefcase and to kill some drug dealers who didnt pay off their boss. Then another dark screen to the childhood of the Bruce Willis character who grows up to be the boxer who refuses to throw the fight. Unlike the old pulp fiction magazines, the triptych of stories eventually comes together as the seemingly disparate plots are interwoven by coincidence and by Tarantinos central theme. Because the film is set in Los Angeles, its anthology structure may of course owe much more to Robert Altmans Shortcuts or to his brilliant Nashville than to pulp fiction magazines. But Tarantinos borrowings are no defect. He is winking at his audience; he wants them to be aware of his references. The more they recognize the more they will enjoy the texture of his tapestry. It is because John Travolta carries so much baggage that he is so wonderful in this film. Moreover, everything Tarantino borrows is a clichà © that has been given an original spin. Pulp Fiction takes the dead genre of film noir and gives it new life. Finally, Tarantinos startling humor takes his film beyond anything he has drawn from others. Tarantinos interweaving of his three stories complicates the linear time structure of each plot. The most surprising result is that the Travolta character is killed only to reappear in the final scene of the movie, which took place earlier and is presented out of sequence. Once you figure out the puzzle, it becomes clear that Tarantino is playing with convention rather than rejecting or deconstructing it. Tarantinos entire film is playful, but he is playing with the imaginary world of film, not with reality itself. There can be no doubt that the self-taught Tarantino intends to shock his audience. The many scenes of graphic violence testify to that. European film-makers are concerned that violence in American film is pornography that appeals to the lowest common denominator and, like American fast food, is destroying the taste for better things. Some psychologists believe that film and TV violence teach Americas young people to be violent, or at the very least, inure them to real-life violence. Perhaps most troubling is the idea that graphic violence, like pornography, exploits an appetite in our basest instincts that degrades rather than edifies. Many people are refusing to see this film and a surprising number of my middle-aged friends report that their teenage children love it but have warned them they will hate the film. These reactions to the violence are too important to be dismissed, but I do not believe that Tarantino has dismissed them. His film exploits violence but as the jury at Can nes recognized he is neither lacking in moral sensibility nor, even though he wallows in popular culture, is he a Philistine. If violence is a form of pornography, then like pornography it presents the same problem of line-drawing between exploiting our passions and edifying them. But as our modern courts have recognized, it is necessary to go beyond that simple categorical distinction and ask whether an admittedly exploitive work of art has redeeming social value. When Shakespeare wrote Hamlet and King Lear, he intended to exploit his audiences violent passions as well as to edify them. There is, after all, a great deal of violence, even graphic violence, in Lear remember out vile jelly as Cornwall gouges out Gloucesters eyes on stage. The greatest works of Western Civilization mock those who count graphic violence as ipso facto unredeemable exploitation. This is not to say that Tarantino intends to redeem the violence; if anything, he seems to be mocking the arbiters of good taste with his wicked humor. This is most blatant, not in the scenes of violence, but in the quirky introduction to the Bruce Willis/boxer story. Christopher Walken, an actor who will be remembered for his Oscar-winning performance in Deer Hunter (a Vietnam war-film), makes a brief appearance in Pulp Fiction as a former Vietnam POW. He has come to deliver his dead cellmates gold watch to the young boy who never knew his father. The Walken character begins to tell the boy what happened to his father in standard heroic pulp fiction rhetoric, but then veers perversely into a description of the intestinal orifice where the father hid the watch, and the intestinal disorders that complicated its concealment. It is an account that no sane adult would give a child and a scene right out of a graffiti imagination. Other directors are capable of imagining such graffiti, but Tarantino was brash enough to keep it in his film. Like all toilet graffiti it can be understood as an example of adolescent bad taste and Tarantino knows that. It is gross, it is inappropriate, it is irreverent, and one can understand why the younger generation would be warning off their fuddy-duddy parents. Yet even this heavy-handed moment belongs in the film. The scene begins as a patriotic-die-for-your-country clichà © in which the reality of how the gold watch survived would have been unimagined. Tarantinos script takes up the challenge of an explanation and as he veers into scatology, he gives the finger to the false norm of noble death in all such war clichà ©s. But Tarantino is interested less in making an anti-war gesture than in doing a send-up of a movie clichà ©. Similarly, this is not an anti-violence film . It is a send up of movie violence. One astute teenage critic remarked that Tarantino learned something from his first film, Reservoir Dogs. All the guys in her high school loved the macho violence but there was not much in this male-oriented film for her and her female friends. Despite its violence and male orientation, Pulp Fiction has something for the female gender, particularly the scenes between Travolta and Uma Thurman. This teenage critic and her girl friends especially enjoyed the episode in which the Travolta character is required to entertain the black crime boss white wife (Uma Thurman). The previous man charged with this task had given her a foot massage; the boss took umbrage and had the massager thrown out of a four-story window. The Travolta-Thurman episode quickly turns into an over-the-top parody of a blind date. Travolta prepares himself by going to his drug dealer for a batch of the ultimate hit a mixture of cocaine and heroin that only a seasoned addict could tolerate. Travolta mainlines the stuff the way a nervous guy might take a drink to boost his confidence before a date. Meanwhile, Uma Thurman is sniffing cocaine, not because shes uneasy, but because she is a man-eater whetting her appetite. Thurman takes Travolta to a dance contest where they do the twist, to the delight of Saturday Night Fever fans. Tarantinos elaborate set features vintage 50s convertibles as booths, pop culture look-alikes as servers, top-of-the-charts music, all of it so extravagant in its evocation of nostalgia as to be unreal. The scene is somehow true to the spirit of Pulp Fiction, a film that parodies popular culture without ever condescending to those who take pleasure in it. The Travolta/Thurman blind date has clever dialogue, the twist is a trip, and the sexual tension escalates as they tango back into her home at the end of the evening. But while Travolta is in the toilet (it turns out he is always in the toilet at critical moments) Thurman finds his drug stash, snorts it, and overdoses. Instead of a sexual conclusion, the evening ends with a slapstick resuscitation involving a huge syringe stuck in her sternum. In this funny and surreal scene it becomes clear that Travolta and his low-life friends are playing overaged adolescents. Indeed the whole film has the spirit, energy, and sensibility of adolescence. No wonder teenagers love it. Although Tarantino wants to shock us with violence, his film is politically correct. There is no nudity and no violence directed against women; in fact a man, the crime boss, gets raped and the only essentially evil people in the film are two sadistic honkies straight out of Deliverance who do the raping. The film celebrates interracial friendship and cultural diversity; there are strong women and strong black men, and the director swims against the current of class stereotype. It is the British couple who, out of place in Los Angeles in the very first scene, fill the sound track with British-accented mother fuckers. Amanda Plummer, who was born to play Ophelia, does a crazed Honey Bunny to Tim Roths Pumpkin. They are two waifs holding hands in the storm of their strung-outness on drugs and their hare-brained career of sticking up liquor stores. The juxtaposition of their lost teddy bear attachment to each other with their nervous trigger-finger desperation establishes Tarantinos tone of innocence in depravity. Samuel Jackson, who will best be remembered as the drug-addicted older brother in Spike Lees Jungle Fever, sustains that tone as Travoltas hit-man partner. His presence on the screen is a match for Travolta; he has a face that looks different in every camera angle and he radiates strength. These professional killers engage first in an earnest discussion about the European nomenclature of American fast foods and then a subtle analysis of the sexual si gnificance of the foot massage as they make their way to the apartment where they will kill three men. The Jackson character miraculously eludes a point-blank fusillade of bullets. As they leave, they debate whether he was saved by divine intervention or simple luck. Jackson, who quotes from Ezekiel to spellbinding effect when he kills people, suddenly understands his Biblical text in a quite different way. As it turns out, his life and perhaps if it is possible for a killer his soul will be saved by this epiphany. This theme of redemption is present in each of the three stories. Willis as Butch the boxer rescues his would-be killer, the black crime boss, from the honkey rapists. Butch, who was to be their next victim, has the opportunity to escape, but goes back. Redeemed by this act of solidarity, he is forgiven by the crime boss for not throwing the fight and is sent on his way. The British couple are also saved. They try to rob Jackson who has ended up in the restaurant where the film began. He has drawn his gun under the table and could easily blow them both away. Instead, in the spirit of justice and honor that prevails among the low-lifes in this film, Jackson does the right thing. He stares the amateur criminals down, letting them take his own money but not the mysterious briefcase that he is dutifully returning to the crime boss. We believe that the strung-out British couple are capable of a killing rampage in the restaurant Amanda Plummer is a remarkable sight standing on a restaurant table screaming obscenities and waving a Saturday-night special. We also know that the day before Jackson would have killed them without blinking an eye, and that he will have to kill them today if they try to take the boss briefcase. Instead Jackson sends the couple peacefully out of the restaurant clutching each other and a trash bag filled with stolen money. But the best scenes involve Jackson and Travolta. When they are not killing, they are like college sophomores, one black, one white both amateur philosophers eager to share their ideas and experiences. Tarantinos ingenious dialogue humanizes their homocidal partnership. The improbable juxtaposition of their earnest dialogue and the violence is the stylistic twist that allows us to laugh at the spatter of brains and blood in the backseat of their car. Travolta reacts like a teenager unjustly blamed by his buddy for accidentally spilling the beer. And like children of over-indulgent parents, they have no idea how to clean up the mess. Yes, they seem oblivious to the fact that a person has been killed. In that light their conversation is ludicrous. But this absurd dialogue unexpectedly transforms the meaning of the violence clichà ©. If Tarantino wanted to defend his film, this is where he could make his strongest arguments. Pulp Fiction unmasks the macho myth by making it laughable and deheroicizes the power trip glorified by standard Hollywood violence. But Tarantino is irreverent, not didactic. He goes from Road-Runner cartoon-violence humor in the Bruce Willis segment to whips and chain homosexual rape that silences the laughter. Tarantino will stop at nothing and yet never loses control. He dives into a nightmare and comes up with something funny, taking his audience up and down with him. Though Tarantino thinks his screenplay is funny, and would be disappointed if no one laughed, he doesnt consider Pulp Fiction a comedy. He is quite right; but if you dont get the studded tongue-in-cheek humor, you may not li ke this extraordinary movie.

Drawings for King Lear :: William Shakespeare Plays Literature Essays

Drawings for King Lear While in Paris in 1843-4, Ford Madox Brown sketched a set of eighteen pen-and-ink studies for King Lear. Two designs he later developed as finished paintings--Lear and Cordelia (1848-49) and Cordelia's Portion (1866)--and a third he turned into an oil-sketch, Cordelia Parting from Her Sisters (1854). Sixteen of the drawings were shown in 1865 at his Picadilly Exhibition, and Brown wrote the captions that appear below the drawings for the exhibition catalog. The sixteen sketches with captions are owned by the Whitworth Gallery in Manchester, and the two without captions are in the City Museum and Art Gallery of Birmingham. The drawings are done in pen and sepia ink over pencil on paper; they are approximately 11 x 14 inches in size. The idea of a series such as this was not original with Brown; the German artist Moritz Retzsch had completed his series of outlines of Shakespeare's plays (1828-46), which included a series on King Lear, and Eugà ¨ne Delacroix had published his series of thirteen lithographs for Hamlet in 1843, a year before Brown executed his drawings. Critics think Brown knew the work of both artists and was influenced by them. Brown regarded these sketches as no more than "outlines," writing in the catalogue that accompanied his 1865 retrospective exhibition that they "were never intended but as rude first ideas for future more finished designs" (19). Despite their unfinished quality, they powerfully evoke what Lucy Rabin describes as a "vaguely remote historical period" (52), a time represented by Shakespeare as post-Roman but still pre-Christian. Ford Madox Hueffer, the painter's grandson, suggests that the crudity of the sketches was, in fact, deliberate--Brown's attempt to portray in bold, almost flat designs the barbarity of Lear and the era in which he lived (53). Brown reveals in these simple depictions an understanding of King Lear that far surpasses anything the critics had to say about a play that was not at all popular in the nineteenth century. Charles Lamb observed early in the century that "Lear is essentially impossible to be represented on a stage," and at the end of the century--as in, for example, a review of Sir Henry Irving's King Lear at the Lyceum Theatre--the critics were still quoting Lamb and asserting that King Lear "would not be tolerated for an hour if produced without the name of Shakspere" (Illustrated London News 101:637). Small wonder that Sir Henry Irving was reportedly nervous and anxious when he produced this unpopular play at the Lyceum in 1892.

Lee Silverman Voice Treatment :: Health, Parkinson’s Disease

Lee Silverman Voice Treatment (LSVT) is primary utilized as a voice treatment for individuals with Parkinson’s Disease (PD) and attempts to increase vocal loudness and improve vocal function (Ramig L, Sapir S, Fox C, and Countryman S, 2001) (Countryman S, Hoehn M, O’Brien C, Pawlas A, Ramig L, and Sapir S, 2001). There has also been success in utilizing this treatment protocol for patients with dysarthria associated with stroke, and traumatic brain injury as well as children who have cerebral palsy and Down syndrome (Spielman, J Ramig L Mahler L Halpern A Gavin W 2007, )R., Theodoros, D., & Cornwell, P. (January 01, 2008), Marchant, J., McAuliffe, M., & Huckabee, M.-L. (January 01, 2008. LSVT was conceived in 1987 and has been extensively studied around the world since then (Countryman et. Al). LSVT is a very unique form of voice therapy in that it focuses on several very simple tasks that are designed to maximize the client’s phonation and respiratory functions. (Countrymen et al.) Spielman et all2007 indicated that the standard course of treatment was an extensive treatment schedule of one hour a day, four days a week, for four consecutive weeks. The basis of the treatment regime boils down to overcoming the perception among clients with PD that there is nothing wrong with their speech, and than utilizing intensive sensorimotor training to help them to recognize and use increased effort and louder speech in their day-to-day communication. (Ramig, L. O., Fox, C., & Sapir, S. (January 01, 2004)) Most research studies to test the application and success of LSVT seem to follow the same basic research methodology. Clients with PD are recruited from local support groups, through newspaper advertisements or contact with specialists in other related medical fields. (Countryman et al 2001) (Ramig et al 2001). The normal testing method appears to be randomized control group studies with clients being separated into groups that either receive LSVT or do not receive any voice related therapy, or groups that receive more traditional and less intense forms of vocal or respiration therapy (Ramig et al 2004)(Ramig et al 2001) (Countrymen S. 2001) (Constantinescu, G., Theodoros, D., Russell, T., Ward, E., Wilson, S., & Wootton, R. (January 01, 2011). Control groups can further be broken down into age and gender categories. Initially the clients all have their sound pressure levels are measured to establish a baseline reference point.

Gangs in America Essay -- Social Issues

Gangs are very dangerous to everyone in society. â€Å"Gangs are groups of people (mostly young males) who band together for protection and a sense of belonging. The U.S. Department of Justice officially defines a youth gang as a group of young people involved in criminal activity† (Gangs 1). There are about one million gang members in more than 20,00 criminally active gangs in the United States. Also, that group of about one million people, are accountable for up to eighty percent of our nation’s crimes. Since 2005, gangs have nationally added about 200,000 members (Targeting Gangs 1). This is why more action from the community needs to be taken to help with the growing gang-related crimes here in America. To start off, origins of gangs are unclear, but some researchers say that gangs came to America in the early 1800s. These first gangs were in New York and Philadelphia and members of these adult gangs were from the Irish, German, and Italian ethnic groups. Youth gangs did not start to form until after World War II (Opposing Viewpoints Gangs 109-110). Additionally, what kind of people are in gangs? Well first off, there are Latinos, which make up forty-nine percent of gang members'; African Americans, thirty-four percent; White, ten percent; Asian, six percent; and the other one percent is just the other category (â€Å"Facts About Gangs† 109). Also in 1996, according to the National Youth Gang Survey, the members of gangs were fifty percent under eighteen years old and fifty percent were eighteen or older. In that survey during 2006, the number of juveniles dropped to only being thirty-six and a half percent of member, on the other hand, the percentage of adult gang members consisted of sixty-three and a half percent of the gang pop... ...members have, we need to make it possible for them to get these personal benefits without feeling that it is necessary to join a gang. Of course, it's not possible for us to make them be able to get fast money like some of them want (or need) but other things like a sense of belonging or companionship are possible. Knowing about these benefits will make it easier for everyone to be able help out in the stop of gangs. As one can see, it may never be possible that gangs and gang violence will be stopped, but with our help from the community in every city and town it is possible to stop and decrease the large number of gang members and gang-related crimes. Remembering that there are many possibilities for decreasing the population size of gangs in America; such as better alternatives to being in a gang, educational programs, and arrest some hard-core gang members.

Gulliver’s Travels is a series of four books about Lemuel Gulliver, a surgeon who has a group of adventures in four different areas

Gulliver's Travels is a series of four books about Lemuel Gulliver, a surgeon who has a group of adventures in four different areas. These adventures help him form a new outlook on humanity and society. The author of the book, Jonathan Swift, expresses his opinions about his society by satirizing the societies that Gulliver visits to suit his own. The task at hand is to compare and contrast Book one and Book four of Gulliver's Travels. I will compare and contrast this book in terms of setting, character, theme and plot. One more important factor to consider is the satires that were made in each of these books; as well as, Gulliver's mood in each and how his adventures affected him. The first point of comparison and contrast is the plot. In Book One, we see that Gulliver is the surgeon of a ship called the Antelope. The ship that he is in goes into a terrible storm where twelve of the crewmembers die. Gulliver and the remaining crew members board a rowboat to escape the wrecked ship. The rowboat then turns over and Gulliver has t o swim to shore in order to survive. He falls asleep on the shore and when he wakes up from his slumber he finds himself tied down. Gulliver gets introduced to the Lilliputians where he is welcomed by them later on in the book. He is taken to the Emperor and the Emperor was really entertained by Gulliver. After a long time in Lilliput, he is used as a ‘national resource' for Lilliput, used in the wars against Blefuscu. The war that was on between the Lilliputians and the Blesucuns was about the different ways of cracking eggs which is really a useless matter to argue over. Finally, Gulliver is accused for treason because he put out a fire in the queen's apartment with his urine. He would be shot ion the eyes but he convinces the Emperor to allow him to leave and the Emperor agrees. He goes to Belfuscu where he gets on a canoe and goes home. In Book Four, Gulliver is captain of a ship where his crew conspires against him and take him prisoner because they want to be the pirates of the seven seas. They drop Gulliver on a rowboat where he manages to row to an island. He decides to look for inhabitants or humans where instead he finds horses that treat humans like trash and only use them like slaves. He befriends a horse (they call themselves Houyhnhms) where he discusses his society to him and describes a lot of the characteristics of humans or yahoos in their language. The second point that should be mentioned in the comparison between Book One and Book Four is Gulliver's character in each of the books. In the actual books, Gulliver is a surgeon and the purpose of this is that surgeons, in general, are respected and trusted for the decisions that they have to make in the operating rooms; Swift makes Gulliver a surgeon so that he would be an expert in note taking and that he can make us believe and trust Gulliver. In the first book, we see Gulliver as a person who is just criticizing the government of the Lilliputians, and all he is doing is expressing his opinion. In Book Four, we see that Gulliver is an unreliable narrator as his views are extremely tedious and that the arguments that he makes about humanity are unfair and unjust. Heading back to book one, we saw that Gulliver was a peaceful man that made excellent critics of his the government of the Lilliputians. Through the books and leading all the way to Book Four, we realize his violent and aggressive nature, adding to the mistrust that we have for him. In Book One, Gulliver's violent nature was unnoticeable as the book was focused on the government and the living system of the Lilliputians. Gulliver's name suggests the word gullible; he does realize the ways in which he is being used in the books. In Book 1, Book Two, he is being exploited in terms of acts and behaviour. He had to fight a war that was between the Belfuscuns and the Lilliputians. In Book Four, we realize his gullibility by the exploitation of knowledge that does happen. This element of exploitation is obvious in the book as in the first few books it is in terms of material acts and items while in the last book it is the terms of the knowledge gained by the Houyhnhms. The last element in the character of Gulliver is the misanthropy that he develops at the end of the book. The cause of this misanthropy is view at the Yahoos in the island of the Houyhnhms. He couldn't stand Yahoos, even his own family, that he bought himself a horse and talked to him at the very end, â€Å"As soon as I entered the house, my wife took me in her arms, and kissed me, at which, having not been used to the touch of that odious animal. . The term odious that he describes his wife with shows how much he could not stand his own wife which is quite depressing really. He really wanted to stay with the Houyhnhms at the island. This contradicts the part in the first book where he wondered if he would ever see his family again and his children. Gulliver's character was deeply alte red through his travels, but mainly altered in the final book where he developed his misanthropy and the hate of the humans of the world, at the very end, he bought himself a horse that he talked to instead of his family and the friends that he might have had.

Poverty and Income Inequality in South Korea Essay

South Korea is counted among the world’s leading economies alongside giants such as United States and Germany (Wiseman & Nishiwaki, 2006). Before the financial crisis hit Asia in 1997, South Korea was among the fastest growing economies of the world with a Gross Domestic Product (GDP) growth rate exceeding 5 percent (Kakwani, Khandker, & Son). Kwack & Lee (2007) report that income inequality had been reduced across the country before the financial crisis. Moreover, between the years 1965 and 2005, income inequality had not significantly increased. All the same, between the years 1998 and 2005, South Korea experienced a rise in income inequality seeing that the Asian financial crisis was massive in its scope (Kwack & Lee, p. 20). Also, between the years 1990 and 1997, the percentage of South Korean people classified as poor had steadily decreased from 39. 6 percent to 8. 6 percent (Kakwani, Khandker, & Son). South Korea was coming to be known as an â€Å"economy with relatively equal distribution of income and with full employment† (Kakwani, Khandker, & Son). But, the Asian financial crisis naturally increased the number of poor people in the country. In fact, the percentage of poor increased to 19 percent in 1998; it was 13. 4 percent a year later (Kakwani, Khandker, & Son). According to a study conducted by Kakwani, Khandker, & Son, the poor of South Korea were disproportionately affected by the Asian financial crisis of 1997. Even though the South Korean economy started to grow again immediately after the crisis, the benefits of growth did not reach the poor as they did the rich. Then again, the government of South Korea introduced new welfare programs for the very poor during that time. The poor people of the country did not benefit from these programs, however. It was only the very poor that were positively impacted (Kakwani, Khandker, & Son). What is more, contrary to the interpretation of income inequality statistics as presented by Kwack & Lee, the International Monetary Fund has expressed great concern over this problem in South Korea during the present era of globalization (â€Å"Widening Inequality: IMF Acknowledges Downsides of Globalization,† 2007). A report published in Korea Times in October 2007 reads: †¦Many South Koreans believe the nation has no other choice but to pursue the international trend in a bid to survive fiercer competition with other countries. Policymakers are trying to open the local market wider to foreign products, while promoting sales of Korea, Inc. , under the spirit of freer trade. They go all-out to attract foreign investment by setting up free economic zones and international business towns. Businesses are also expanding their overseas networks for production, sales and investment under the motto of globalization. †¦In this regard, a recent IMF report caught the attention of economic policymakers, company executives, citizens and anti-globalization activists. Last week, the international body published its semiannual economic review, the World Economic Outlook, before the IMF and the World Bank meeting scheduled for Oct. 20-21. The IMF said in the report that technology and foreign investment are making income inequality worse around the world. The review tries to figure out why income inequality has widened in both rich and poor countries in the past two decades. It is the first time that the IMF has come up with such a report admitting to the negative effects of globalization. â€Å"Over the past two decades, income inequality has risen in most regions and countries,’’ the report said. We can learn much from the report. We have to admit that South Korea has experienced widening income inequality, especially following the Asian financial woes. The income brackets have already been divided into 20 percent rich and 80 percent poor. That is the nation’s middle class has crumbled because the gap between the rich and poor widened. The 20-80 ratio is on the verge of moving to a 10-90 ratio, further worsening the income gap. In addition, businesses have exploited non-regular workers and migrant laborers from foreign countries who suffer from low wages, poor working conditions and other discrimination. A law protecting non-regular workers took effect in July, but little progress has been made to guarantee their equal rights. Policymakers will have to take bolder measures to narrow income inequality and tackle other negative effects of globalization. (â€Å"Widening Inequality: IMF Acknowledges Downsides of Globalization†) It is oft stated that globalization is accompanied by a widening gap between the haves and have-nots of the world. When a Korean farmer suddenly appeared during a meeting of World Trade Organization and committed suicide, the problems facing the global political economy were highlighted – that, in fact, the interests of the poor must be heeded, better than before. The farmer was wearing a shirt that read, â€Å"WTO KILLS FARMERS† (Cho, 2008, pp. x). After all, it is not uncommon for experts and non-experts alike to claim that the World Trade Organization does not represent the interests of the rich and the poor equally. Nevertheless, there is a limit to how much the World Trade Organization can do for the poorest people of the world. It is, in fact, for the government of South Korea to bear greater responsibility for poor Koreans. According to another news report published in South Korea in the year 2007, The wage disparity of the lower 10 percent of earners versus upper 10 percent rose to a factor of 5. 4 in 2006 from 4. 8 in 2001, meaning that wages for the top decile of earners were nearly five-and-a-half times greater than those of the lowest decile of earners†¦ (â€Å"A Look at South Korean Society, 20 Years after Democracy,† 2007) It is for the South Korean government not only to improve income distribution in the country but also to implement policies to end abuse as well as discrimination of the poorest workers. Individual income in South Korea rose fivefold between the years 1987 and 2007. But, South Korea has not made progress to end income inequality. The Gini coefficient is typically the statistical measure of choice to assess income distribution. A Gini coefficient of zero indicates perfectly equal income distribution, while a coefficient of 1 indicates perfectly inequality. In 1987, the year that South Korea became a democratic country, its Gini coefficient was 0. 31. By the year 1997, South Korea’s Gini coefficient had been reduced to 0. 28 as the country had made strides in reducing the gap between the haves and the have-nots. But then the Asian financial crisis ensued. By 2006, South Korea’s Gini coefficient was back to 0. 31. Although the size of the economy had grown from $500 billion to $800 billion, income distribution had been reduced between 1997 and 2006. Unsurprisingly, the poorest people of South Korea are confronting discrimination and abuse. After all, the rich are getting richer at the expense of the poor. As a matter of fact, exploitation of labor is reality in South Korea (â€Å"A Look at South Korean Society, 20 Years after Democracy†). Robert J. Barro, a professor of economics at Harvard University, explains that living standards across South Korea were raised with its dramatic rise in GDP. As examples, the infant mortality rate fell from 8 percent to 0. 8 percent and life expectancy rose from 54 years to 73 years. Additionally, income distribution in South Korea has been more equitable as compared to the United States and Japan. When individual income rose in South Korea, low-income groups were beneficiaries, too, and poverty was reduced (Barro, 2003). Then again, as we have already discussed, the Gini coefficient of South Korea in 2006 was the same as in 1987. This reveals that although the poor people of South Korea have higher wages now than before, the gap between the haves and the have-nots has not been narrowed. So, Professor Barro suggests that South Korea must work on improving its education system. If the poor people of South Korea have access to good quality education, it would be easier to improve income distribution. Moreover, the country needs to enhance corporate governance (Barro). These changes are sure to enhance working conditions and living standards of poor workers. Then again, South Korea may not be able to support half of its â€Å"elderly households† living â€Å"in a state of ‘relative poverty’† with these improvements (â€Å"Korea Highest in Elderly Poverty,† 2008). In fact, the income of these households is lower than 50 percent of average household income in the country. Although South Korea has a pension scheme for the elderly, the percentage of the poor that may benefit from the scheme is small. Because the traditions of South Korea demanded of children to take care of their parents upon reaching adulthood, the country does not have a developed social insurance system for the elderly. What is more, South Korea is aging fast. At least 7 percent of its poor are over 65 today (â€Å"Korea Highest in Elderly Poverty,† 2008). At the same time as social welfare programs remained underdeveloped, South Korea generated 3100 more people owning at least U. S. $1 million worth liquid assets between the years 2000 and 2001 (â€Å"Asian Millionaires: A Tough Bunch,† 2002). According to Australian Banking & Finance, among the reasons for this rapid production of millionaires is increasing income inequality (â€Å"Asian Millionaires: A Tough Bunch,† 2002). To put it another way, corporate leaders are raising their organizational revenues, thanks in part to globalization, even as the poorest workers of their organizations continue to be paid low wages. In the year 2007, South Korea experienced the widest gap between the haves and the have-nots since the Asian financial crisis. In fact, the annual income of 20 percent of South Koreans earning the highest incomes was 5. 44 times greater than the annual income of the 20 percent that earned the lowest incomes. In 2006, the rich were earning 5. 38 times more than those that earn the least (â€Å"Income Gap at its Widest Point since 1999 Financial Crisis,† 2008). Analyzing the statistics, The Hankyoreh reports that income and wage gaps between 20 percent of the highest earners and 20 percent of the lowest earners had actually widened by 7. 9 percent and 11. 7 percent respectively between the years 2002 and 2007. What is more, statistics on income distribution in South Korea reveal that the richest people of the nation are earning more than the people of developed countries, while the poorest South Korean households have incomes that are equivalent to those of households in less developed countries. Even the World Bank has confirmed that poor South Koreans have the same living standards as those of the citizens of El Salvador or Gabon. Rich South Koreans, on the contrary, have the same living standards as New Zealanders and Australians (â€Å"Income Gap at its Widest Point since 1999 Financial Crisis†). Professor Barro’s analysis of income disparity in South Korea must be considered incomplete for the reason that there is no â€Å"decline in the burden of consumption on low-income households† (â€Å"Income Gap at its Widest Point since 1999 Financial Crisis†). These households pay their cellular phone and Internet bills with twice as much of their incomes as do rich households. Despite the fact that wages have increased – according to Barro – income disparity continues to widen. Son Tae-jeong, one of the researchers at the LG Economic Research Institute in South Korea, stated that salaries increased between the years 2006 and 2007 to boot. However, the poorest workers do not seem to have availed the benefits of the rise in salaries across the country (â€Å"Income Gap at its Widest Point since 1999 Financial Crisis†). South Korea has introduced necessary legislations to strengthen its social welfare programs. There are social security schemes which are insurance based and applicable only to certain occupational groups. These schemes cover pensions and healthcare among other things. The government of South Korea also offers subsidies for housing on a limited basis. But, most social security programs in the country only offer benefits related to earnings. Furthermore, these social security schemes are structured in a way that limits income redistribution from high-income to low-income groups (â€Å"Social Welfare in East Asia: Low Public Spending but Low Income Inequality,† 2008). Even though there are organizations across the country that continue to retain their unproductive workers, there is no way for them to cure the plague of poverty afflicting the elderly poor of South Korea (â€Å"Social Welfare in East Asia: Low Public Spending but Low Income Inequality†). The poor elderly South Koreans cannot be financially supported by their grown up kids because even though labor productivity and GDP have risen together, real wages have lagged behind (Chung, 2007, p. 228). Poor workers have low standards of living in any case, seeing that corporate leaders must focus on raising their own living standards even if they offer support to unproductive workers. Of course, as Barro has stated, education and corporate governance may work wonders in eradicating the problem of poverty facing the worker and his or her elderly parents in South Korea. Uneducated people usually have low living standards (Savada & Shaw, 1990). Moreover, in the workplaces of South Korea, these people are â€Å"treated with open contempt by university graduate managers† (Savada & Shaw). Increasing numbers of South Korean workers have migrated from agricultural farms to industrial establishments in recent years. Nevertheless, poverty has not been eradicated (Savada & Shaw). Rather, the differences between the haves and the have-nots have remained. The Asian financial crisis had negatively impacted both the rich and the poor of South Korea. But, as mentioned before, the poor were disproportionately affected. Poor South Koreans had to reduce their spending by 9. 8 percent in the year 1998. The rich only reduced their spending by 0. 6 percent. Additionally, as soon as the Korean economy was back on its growth track, the rich are known to have greatly increased their spending. In point of fact, the consumption of luxury goods rose to the extent that sales of golf equipment were increased by 357. 6 percent between 1998 and 1999 (Yim, p. 32). The poor South Koreans, on the other hand, were left to their living standards resembling those of people in underdeveloped countries. Of a certainty, the government of South Korea must be formulating and implementing the kinds of policies required to resolve these structural economic issues once and for all. The country possesses the capacity to grow beyond expectations. But, at the same time, income inequality and poverty create such a burden that a South Korean farmer came to commit suicide at a meeting of the World Trade Organization. The rich capitalists of South Korea pay low wages to workers who go on increasing their productivity nevertheless. Furthermore, poor, uneducated workers are abused and exploited in the South Korean workplace. By instituting good corporate governance programs, the government of South Korea may very well correct this problem. After all, it is because of the poor workers’ motivation to increase productivity that has made South Korea one of the most important economies in the world today. The country would not be able to sustain its economic position if it fails to heed its workers’ needs. References A Look at South Korean Society, 20 Years after Democracy. (2007, Jun 8). The Hankyoreh. Retrieved Mar 20, 2009, from http://www. hani. co. kr/arti/english_edition/e_national/214664. html. Asian Millionaires: A Tough Bunch. (2002, Oct 15). Australian Banking & Finance. Retrieved Mar 20, 2009, from http://findarticles. com/p/articles/mi_hb4849/is_18_11/ai_n28954879. Barrow, R. J. (2003, Jun 9). South Korea: How to Keep the Miracle Going. Business Week. Retrieved Mar 20, 2009, from http://www. businessweek. com/magazine/content/03_23/b3836031_mz007. htm. Cho, Y. (2008, Oct 10). Participatory Democracy in the Global Public Sphere: Scale, Media Events, and the Body. Paper presented at the annual meeting of the International Communication Association, Sheraton New York, New York City, NY Online. 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(2008, Nov 8). The Korea Times. Retrieved Mar 20, 2009, from http://www. koreatimes. co. kr/www/news/nation/2008/11/113_34066. html. Kwack, S. Y. , & Lee, Y. S. (2007, Dec 31). Income Distribution in Korea in Historical and International Prospects. Retrieved Mar 20, 2009, from http://www. kdi. re. kr/kdi/report/report_read05. jsp? 1=1&pub_no=10341. Savada, A. M. , & Shaw, W. , eds. (1990). Social Classes in Contemporary Society. In South Korea: A Country Study. Washington: GPO Library of Congress. Retrieved Mar 20, 2009, from http://countrystudies. us:80/south-korea/. Social Welfare in East Asia: Low Public Spending but Low Income Inequality. (2008, Jul). Center for Analysis of Social Exclusion. Retrieved Mar 20, 2009, from http://sticerd. lse. ac.uk/dps/case/cb/CASEbrief7. pdf. Widening Inequality: IMF Acknowledges Downsides of Globalization. (2007, Oct 19). The Korea Times. Retrieved Mar 20, 2009, from http://www. bilaterals. org/article. php3? id_article=10033. Wiseman, P. , & Nishiwaki, N. (2006, Jul 23). Income Inequality Shrinks Japan’s Middle Class. USA Today. Retrieved Mar 20, 2009, from http://www. usatoday. com/money/world/2006-07-23-japan-usat_x. htm. Yim, S. Geographical Features of Social Polarization in Seoul, South Korea. Retrieved Mar 20, 2009, from http://www. lit. osaka-cu. ac. jp/geo/pdf/frombelow/0308_frombelow_yim. pdf.